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Random Thoughts
William Gibson and Steely Dan
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WG is known to be rather fond of Steely Dan's music, and without trying too hard I can think of a couple of SD references in his books.
The ones that come to my mind are Barrytown (Count Zero), and the appearance of Klaus and the Rooster (in Virtual Light, if memory serves). Has WG slipped any other homages to SD into his work? ----------------------------- "Tragedy is when I cut my finger; comedy is when you walk into an open sewer and die." -- Mel Brooks |
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I was wondering if "Barrytown" was a reference.
(Who doesn't like Steely Dan?) History is the excavation of graves--essential work, if one is to understand the graves that await us in the future. |
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I never could get into Steely Dan.
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Gearge Carlin doesn't like Steely Dan...
I, on the other hand, have no idea who he is! |
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There was a gang called the Deacon Blues, no? I believe it was mentioned in CZ.
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That would be me. -- Fanaticism is nowhere. There's no tenderness or humanity in fanaticism. - Joe Strummer |
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"Gearge Carlin doesn't like Steely Dan..."
George WHO? Good excuse for a lyrics post: DON'T TAKE ME ALIVE Agents of the law Luckless pedestrian I know you're out there With rage in your eyes and your megaphones Saying all is forgiven Mad Dog surrender How can I answer A man of my mind can do anything CHORUS: I'm a bookkeeper's son I don't want to shoot no one Well I crossed my old man back in Oregon Don't take me alive Got a case of dynamite I could hold out here all night Yes I crossed my old man back in Oregon Don't take me alive Can you hear the evil crowd The lies and the laughter I hear my inside The mechanized hum of another world Where no sun is shining No red light flashing Here in this darkness I know what I've done I know all at once who I am CHORUS |
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That would be me.[/QUOTE] Why? Have you spent time listening to them? They are hilariously droll. You just gotta spend time paying attention. Not every song is awesome, but most are worthy. And musically, they can be subtle (snide and droll), which can be missed if you don't really pay attention, imho. They've lifted my spirits, confirmed I am not alone, and made me laugh me ass off, over the decades. They are priceless contributors to life and laughter! Umm, just sayin'. ~~~~~~~~~~~~~~~~~ Nurturing my inner clown. |
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In a free associative way, when I think of Kid Africa, I think of Kid Charlemagne.
Now, if WG mentions Muswellbrook in his next novel, I will build a fucking church. The Lithos School of Curiousity is now enrolling |
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Kid Charlemagne lives in Queensland?
The Lithos School of Curiousity is now enrolling |
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~~~ And musically, they can be subtle (snide and droll), which can be missed if you don't really pay attention, imho. ~~~
I listen for the musicianship. No other band blends and fills like SD. Their engineering is absolutely top notch. Lots of mixing and mastering engineers adjust their equipment setups with Fagan's Nightfly. Friggen magic. As a guitarist, listening to some of Larry Carlton's and Rick Derringer's work with SD is an education all in itself. Beautiful work. |
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Ahhhhhhh....I am NOT alone.
~~~~~~~~~~~~~~~~~ Nurturing my inner clown. |
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Indeed not, ma'am.
----------------------------- "Tragedy is when I cut my finger; comedy is when you walk into an open sewer and die." -- Mel Brooks |
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I remember having to *sit down* the first time I put Aja on my parents' record player. Phenomenal sound on that record. I also love that (I think it's on Katy Lied?) they've got this fucking *essay* that goes through their production methods, from their mixing desk to the lathe that cut the vinyl master. It's hilarious in its minutiae (and an audiophile's dream).
The way I figure it, Steely Dan is both annoying and brilliant. Annoying in that their slickness can be oppressive in its influence. We have an entire generation of smooth jazz we can blame on SD, and I think SD is the band you listen to so you don't ever have to listen to the lesser junk again: they did it all first and best. This is how I feel about Sonic Youth's Daydream Nation and My Bloody Valentine's Loveless: much of 90s rock'n'roll comes from these records, and is present in holographic form. Brilliant for all the usual reasons: the music is uniformly excellently played, the lyrics sneak up on you in cynical waves. They take their perfection to a strange nadir, using their mastery of recording, instrumentation, the art of picking session musicians, etc., to take you to the low places. They take the 70s easy-listening aesthetic and turn it into punk, pushing the form as far as it can go. This is the stuff you put on at a party to please everyone while having a snide little giggle with your friends who know better. This message has been edited. Last edited by: Justy, »» "Forget infinity. I've got books waiting for me to read them." — colin »»"Speculative novels of last Tuesday." — William Gibson |
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And you've gotta love the elegant flippancy of:
Chinese music always sets me free, Angular banjos sound good to me... ----------------------------- "Tragedy is when I cut my finger; comedy is when you walk into an open sewer and die." -- Mel Brooks |
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For whatever reason, I equate Steely Dan with Gerry Rafferty. This causes me to run out of earshot.
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The Gentleman Loser (the bar where Case hangs out in Neuromancer) is a line from the chorus of "Midnight Cruiser" off Can't Buy a Thrill.
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And, for anyone who's interested, this is a useful site.
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My dad has a bunch of SD records. I'll have to give them a try.
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I grabbed a few Steely Dan songs off Limewire.
It sounds like something you'd find on complilations not available in shops. Certainly not the music for me. |
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Random Thoughts
William Gibson and Steely Dan
