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One of the biggest questions that pops out at me in SC is, what can Bigend's aim be? He didn't seem to profit in any way by any information concerning the shipping container. How did he come into contact with the information to begin with? His refusal to answer any questions as to his relationship with the subject begs a million questions as to his true vocation or intentions. What does he know that we don't know and why is it important? Apart from being the latest Mephistopheles, a role which he fills even better than the original, who the hell is he really? What is he really after and why? All theories are welcome. Even those, dare I say it, conspiratorial in nature.
 
Posts: 28 | Location: Pittsburgh / Los Angeles | Registered: February 27, 2008Edit or Delete MessageReport This Post
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Bigend is Win Pollard in disguise! :P
 
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Good thing we're in the spoiler's section.
 
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quote:
“Who told you that story?”

“Someone who claims to have been a member of the boarding team.”


quote:
“Why are you so interested in the contents of Chombo’s container?”

(...)

He seated himself. He looked up at her. “I’ve learned to value anomalous phenomena. Very peculiar things that people do, often secretly, have come to interest me in a certain way. I spend a lot of money, often, trying to understand those things. From them, sometimes, emerge Blue Ant’s most successful efforts. Trope Slope, for instance, our viral pitchman platform, was based on pieces of anonymous footage being posted on the Net.”


quote:
“So what do you expect to get out of this, if you can find out what’s in Chombo’s container?”

“No idea. None whatever. That’s exactly what makes it so interesting.”

“I don’t get it.”

“Intelligence, Hollis, is advertising turned inside out.”

“Which means?”

“Secrets,” said Bigend, gesturing toward the screen, “are cool.” On the screen appeared their images, standing beside the table, Bigend not yet seated, captured by a camera somewhere above. The Bigend on the screen took a pale blue cloth from his pocket, pulled out a chair, and began to dust its arms and back and seat. “Secrets,” said the Bigend beside her, “are the very root of cool.”


Just posting till I reach 3000 and retirement.
 
Posts: 2894 | Location: I am behind you | Registered: May 27, 2003Edit or Delete MessageReport This Post
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Bigend is looking for nodal points. He has an ad man's sense for cool phenomena that he can turn into money, but really he just likes to know things that nobody else does. I think money for him is the tool to get that, because it is usually the one thing that all the coolhunted lack. So he just has to find their price and slowly reel them in.

The shipping container didn't pan out. But that's okay. That's the nature of mysteries. Some of them lead nowhere, to solutions you can't use. He has hundreds of other pies to stick a finger into, and one of them will be THE one that pays off.

I found him irritating and repellent–a bit Deus Ex Machina–in PR, but I like him more and more.
 
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I thought Bigend was just trying to get a very good, cutting edge story for his new magazine Node; and, as usual, he predicted, as he did with Cayce, that Hollis Henry could get on the inside (he most likely knew that Alberto and Bobby were fans giving Hollis a big edge; Bigend needed to approach Chombo in a subtle but unexpected way). Not only did she get in, but she got the exclusive, first-hand account with permission from The Old Man to tell the story. Bigend is genius because he can read people and their abilities then process how he can use them to get what he wants, very similar to Wintermute.


______________________________________________________________
...after all you can chuck bones in an envelope -- remotepush

"Damn it Jim, I'm a doctor not an animator!" -- Thal

...if it's that small a world, it starts to smell funny -- CayceP
 
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I wonder not just who is Bigend really, but what is he becoming.

I was skeptical at first about why WG put Bigend in this book. He didn't seem to fit at all. Despite the fact that his bit about secrets and cool is one of the most awesome parts of the book. But I picked up the audio version and listened to it a couple of times, and it is Bigend's role that most intrigues me these days. I think Bigend is becoming something else. Or at least he wants to.

First, some more conventional reasons for Bigend to be in on this. Perhaps how he caught on has something do with him already exploring Locative art. When I heard about the giant squid being used for the ad in Tokyo, it seemed wrong that someone would have beaten Hubertus to the punch. Maybe he's behind Archie.

Also, look how well things worked out for him in Pattern Recognition. Not just with the video thing, but with his super secret Russian business spy mafia type. That was probably better for Bigend than just some new angle at viral marketing.

Wasn't there a line about how these projects are like Hubertus's dreaming? I think he just throws a bunch of elements together that he can see will react in some way, and have some bearing on the future. Like casting yarrow stalks kind of. Look kind of reactions possible between Hollis and Alberto. Alberto is a Curfew fan, specifically a Hollis fan. And his work concerns the death of celebrities. How could Hollis see Alberto's River Phoenix and not think of Jimmy. And would it surprise you if you learned that Bigend picked Hollis's hotel because it had the bonus of being on Heidie's route home? We already know that he's manipulative. Look at him picking Boone Chu for Cayce. But on top of all this art and celebrity stuff there's a serious secret that has a lot to do with the way things are now. The Shipping Container. The GPS grid. The Old Man. I think Bigend just wanted to get close to it.

I see Bigend mainly as someone obsessed with secret realities, power and knowledge. I imagine that he would find it chafing to limit himself to being an ad man. He's more like an Alchemist. Given an opportunity I think Bigend would turn himself into something like the Old Man, or the Family, though only in a very Bigend sort of way. He's an amoral explorer of the world. And I agree he is very much like Wintermute. He has this incredible hunger to become more.
 
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quote:
was skeptical at first about why WG put Bigend in this book. He didn't seem to fit at all. Despite the fact that his bit about secrets and cool is one of the most awesome parts of the book. But I picked up the audio version and listened to it a couple of times, and it is Bigend's role that most intrigues me these days. I think Bigend is becoming something else. Or at least he wants to.[/qiote]
You mean like Virek or Harwood?

I like Bigend, I think he emblematic of a certain kind of emergent character in the 21st century power game of marketing, sign and signifier. But, at his core, he's banal. He likes the coolness, he brushes the bigger meanings but he puts it back into the mundane.

I think that's the alarming thing about him. that he goes to all these lengths to find out secrets, to discover things never before done and then purposes them to shoe and Chinese car ads.

He's a villain not because of his methods but because, at the end of the day, he has a severe lack of imagination.

[quote]
First, some more conventional reasons for Bigend to be in on this. Perhaps how he caught on has something do with him already exploring Locative art. When I heard about the giant squid being used for the ad in Tokyo, it seemed wrong that someone would have beaten Hubertus to the punch. Maybe he's behind Archie.


Bigend isn't a creative, he understands them to some degree but he isn't one. he discovers talent, he doesn't have it. At least not in an artistic sense. His talent is his nose for the next big thing, but when he finds it he merely commodifies it and becomes bored with it. That is his ultimate limitation.


---
Reading, meanwhile, is an activity subsequent to writing - more resigned, more civil, more intellectual.
 
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UberDog - I'll have to think more about Virek and Harwood, but I like you're take on Bigend's villainy. Not that I really agree he's a villain. He's something else, though he is definitely monstrous. Bigend's curiosity is frightening, though it is sometimes his most redeeming quality.

I don't think Bigend would consider advertising bland. I think he sees the world in terms of desires, secrets, group behavior and powerful actors. He rightly sees shoe commercials as a big part of global reality.

I think Bigend has a lot in common with phone phreaks and hackers. He's delighted to find powerful tools, he figures out ways to use them, and he isn't that broken up about what he soils or inconveniences. Like a hacker he has great reverence for the terrain he works in, but he doesn't see that terrain in the same way others do. AT&T may not want kids playing with their switching stations, and you may not want your art co-opted to sell cars, but, you know, the street finds it's own uses for things.
 
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PotatoLove sayeth: And would it surprise you if you learned that Bigend picked Hollis's hotel because it had the bonus of being on Heidie's route home? We already know that he's manipulative.

Big Grin I like that PL. and
quote:
He's an amoral explorer of the world.
I don't know if Bigend is exactly amoral; but, he definitely does not mind and is a natural at mtapping into his (and other people's) egocentrality.
All I can say is that WG puts a lot of work into his writing; and, that's why I read it (or as my ludite (that's a little "l") friend would make fun of me and say "you mean listen to it" Big Grin).


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...after all you can chuck bones in an envelope -- remotepush

"Damn it Jim, I'm a doctor not an animator!" -- Thal

...if it's that small a world, it starts to smell funny -- CayceP
 
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“I haven’t actually found him that personally repulsive, aside from his taste in cars, but I don’t like the sense of enormous amounts of money at the service of, of, well, I don’t know. He’s like a monstrously intelligent giant baby. Or something.”

“Angelina says he’s utterly amoral in the service of his own curiosity.”

Chapter 34 Spook Country
 
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Originally posted by PotatoLove:
UberDog - I'll have to think more about Virek and Harwood, but I like you're take on Bigend's villainy. Not that I really agree he's a villain. He's something else, though he is definitely monstrous. Bigend's curiosity is frightening, though it is sometimes his most redeeming quality.

I don't think Bigend would consider advertising bland. I think he sees the world in terms of desires, secrets, group behavior and powerful actors. He rightly sees shoe commercials as a big part of global reality.

I think Bigend has a lot in common with phone phreaks and hackers. He's delighted to find powerful tools, he figures out ways to use them, and he isn't that broken up about what he soils or inconveniences. Like a hacker he has great reverence for the terrain he works in, but he doesn't see that terrain in the same way others do. AT&T may not want kids playing with their switching stations, and you may not want your art co-opted to sell cars, but, you know, the street finds it's own uses for things.


I guess antogonist is really a better term for him.

I think Bigend is really close to being a revolutionary, and I think he is full-on Ceh Guevera in advertising, which can revolutionize, to a degree.

But he brushes up against things that could be much bigger and then co-opts them.

But, in another way, there isn't anything but marketing. Not simply in terms of commerce but in the dissemination of all ideology, all ideals, all thoughts of self and other.

One could argue that he's attempting to get a handle on the evolution of "reality."


---
Reading, meanwhile, is an activity subsequent to writing - more resigned, more civil, more intellectual.
 
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Originally posted by Eric:
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PotatoLove sayeth: And would it surprise you if you learned that Bigend picked Hollis's hotel because it had the bonus of being on Heidie's route home? We already know that he's manipulative.


Big Grin I like that PL.


I think Bigend is manipulative by nature not by planning. i think it's instinctual for him. i believe if he'd found out that the River motivated Hollis he'd think it synchrony rather than planning on his part.

He doesn't really plan, he brings the disparate together and sees what they form.


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did Bigend gain anything other than locative art and a possible "hard to be one" car commercial?
 
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He gained the commercial, mostly, which was what he wanted, after the fact.

He also has Bobby now, which is big for him.

But he gets bored with things once he's found his angle, then he moves on to The Next Big Thing.

Maybe he'll discover a writer named Bill next time and convince Bill that he created him instead of the other way around.


---
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Bigend potentially gained the Old Man's exculsive story (which is what _Spook Country_ is). Of coarse, you pay alot of money for that type of information and never really know. I think Hollis would sell the story to Bigend. So, in essence the Old Man, once he knew who she was, was using Hollis, as much as Bigend was, for a type of information dissemination only possible through a person like Bigend.


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...after all you can chuck bones in an envelope -- remotepush

"Damn it Jim, I'm a doctor not an animator!" -- Thal

...if it's that small a world, it starts to smell funny -- CayceP
 
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If Bill was so inclined, said story could be a good way to but the nascent Node on the map for real.

It's the sort of story that would make a net mag, or real mag, Pop into the collective consciousness.

Like Drudge did with Monica.


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Sadly, if this were a real-world story that appeared one day in mainstream media, it would probably only be a blip on the collective consiousness. Those in line to catch shit (TPTB) over it would maintain a distance of non-acknowledgement long enough for the story to be swept under the rug by the usual deluge of "celebrity X farted in church" stories.

Then? Business as usual.


-G
 
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By George, G... I think you've put your finger on the crux of the issue... and we're back to business as usual... as usual.
 
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Originally posted by Gustave:
Sadly, if this were a real-world story that appeared one day in mainstream media, it would probably only be a blip on the collective consiousness. Those in line to catch shit (TPTB) over it would maintain a distance of non-acknowledgement long enough for the story to be swept under the rug by the usual deluge of "celebrity X farted in church" stories.

Then? Business as usual.


Well, that's why Old Man used Hollis henry, it's like, say, Shriley Manson witnessed it or somehting.

That would give it legs.

Gibson even thought of that!

(OK, I bet he didn't but still...)

If he'd really been slick, he'd have gotten Britney out on top of the container doing a drug addled strip tease, but what can you do, guy is like 75, doesn't know what's hip.


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